18 Aug 2018

Ainolnaim's composition picked as one of two winning works at the MAtera INtermedia Festival 2018

Ainolnaim Azizol has scored another win with his work for flute and eletronics 'JuliJuli', which has been announced as one of two winning works selected for the 2nd MA/IN ~ Spaziomusica Commission in Italy.

Ainol's work was selected from among 291 works from 44 different countries received by the festival organisers.

The other winning work was Sergio Andrés Santi's (Arg) work titled 'Uira'.

'JuliJuli' is a 7 minute work for amplified alto flute with vocalisation and electronics.

The composer writes, “The piece is inspired by the narrative of a Malay folklore, Jula Juli Bintang Tujuh. The piece starts with background gestures and later introduces the middle ground both by the alto flute and voice.”

“The foreground is established by the emergence of the electronics part. The alto flute and voice is considered as anthropophony, and the electronics part is formulated with Malay gamelan instruments, including biophony and geophony elements, which reflects the identity of the narrative.”

The work will be performered by flautist Enrico Di Felice at the MA/IN 2018 [MAtera INtermediaFestival] from 3-8 October 2018 in Matera, Italy. (Also visit the festival Facebook.)

Ainolnaim's achievement marks another accolade in Ainolnaim's growing list of successes, from 3rd Prize at the New Recorder Music festival in Lausanne in 2016, 2nd Prize Tokyo in 2014 at the Asian Composers League Young Composers Award and third prize in the Eight Bridges new music festival in Cologne in 2012.
An excerpt from 'JuliJuli'


3 Aug 2018

Adeline Wong's Herringbone for piano premieres in S'pore

Adeline Wong's new work Herringbone for piano will premiere in Singapore on August 28 at Yong Siew Toh Conservatory. The work is part of visiting artists Foo Mei-Yi (piano) and Bartosz Woroch (violin) concert at the university, featuring solo and duo works by a diverse selection of 20th Century composers and more recent works.

Says Wong of her piece, “Herringbone is the third and central movement of a connected series of a 5-movement work. In the preceding movement, Nexus (for low brass quintet) ends with a sustained B flat major chord and a 4-note motive comprising minor and major 2nds played sporadically.

“Herringbone opens with this similar material, but is transformed into an entirely new texture of persistent repeated notes in a toccata manner.  Throughout the work, one hears overtones from the piano recalling long sustained organ-like chords from the brass quintet.

“The fleeting rapid notes from the texture is continually interrupted - but at the same time, given a new thrust of energy - by the percussive chords struck in the different regions of the keyboard.  

“The rapid alternation of notes in the opening of the work is later developed into a bell-like hypnotic sonority at the closing section.

“Although not programmatic in nature, Herringbone does suggest a rising and falling contour of the 4-note motive originating from the “V” shape found in weaving patterns. The sudden shifts of dynamics, registers and textures from the keyboard gives the impression of a high speed school of herring suddenly changing course.”

The concert programme features works by Unsuk Chin, Dai Fujikura, Péter Eötvös and John Cage, just to name a few.

According to the YST website on the concert:


The Modern Playground is a concert devised to showcase repertoire that depicts the humorous facets of some of the most important contemporary composers of our time.

The first part is primarily a collection of piano miniatures, with the exception of Samarasa for violin solo. These 12 pieces illuminate each other by connecting onto each other's associative musical materials. The connections and contrasts reveal not only the virtuosity and colourful writing of the composers, but also their humour and playfulness.

The second part of the concert showcases the modern repertoire for solo violin and violin-piano duo. It highlights a new approach to composition and performance by using various extended techniques. The new harmonic language presents the violin in a completely new light, thus changing the preconception of the nature of the instrument and its limits.

Tuesday, August 28, 2018
7:30 PM
Conservatory Orchestra Hall YST Conservatory Singapore, 117376 Singapore
Free admission.

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